It seems I am jinxed. Someone out there has been busy with needles and wax effigy or has thrown a dark hex my way. “How so?” I hear you ask. Well it all began when I stepped into my local tube station with the intention of getting to the gig on time. I had left early, so that I could meet up with the Missus and have a bite to eat at one of those snazzy eateries on the South Bank, before tootling onto see Peter Hammill in concert. However, my Spidey-senses tingled as soon as I hit the station and the word “delays” echoed over the PA system.
What should have been a simple, 60 minute journey was stretched out beyond all recognition. Travelling from Debden to Stratford, which normally takes about 25 minutes, turned into a 90 minute marathon with the driver apologising profusely for there being signal failures at Bethnal Green. The problem with that bottleneck of the Central is that you are stuffed until you get to Stratford as there are no connecting trains, so I stood in cramped carriage and swallowed it down. I’ll be honest with you, I don’t like the Underground. I know it is a bit wimpy, but there’s something I just don’t like about the UK tube network. I always think it is on the edge of collapse and when we get stuck in a tunnel for a long period of time, my bowels begin to churn. But enough of the details, eh?
So when I did eventually get to The Missus, all hopes of having something to eat were out of the window and it was just a matter of walking to the venue and taking our seats. I was in a bad mood and didn’t particularly want to be there – my nerves were shot by the prolonged tube fiasco and I wanted a drink. Yes, I wanted a drink real bad. But I never drink before a gig as I believe music should be received untainted by alcohol, so I was very tetchy.
In this tour, Hammill was accompanied by violinist Stuart Gordon and I was interested in hearing how it would turn out as I hadn’t had the chance to pick up their collaboration “Veracious”. Tracks like a “A Better Time”, “Driven” and “Bubble” were stripped down and arranged in such a way that there was plenty of space for Gordon to fill in with his violin. I am not entirely sure if this approach worked. I mean those guys are great performers, but some of it just didn’t work for me and didn’t engage my senses. The only time things really started to get electric was during a harrowing performence of “Like Veronica”, a song about spousal abuse, which really went for the jugular. An old classic “The Birds” elicited whoops from the audience and I was particularly pleased when Hammill performed “Stranger Still” as the final song. It’s one of my favourites, but again the rearrangement jarred me, but all came good in the end. There was one encore with “A Way Out” and it was all over. While I thought it was an interesting night of music, I did find myself feeling slightly underwhelmed by the proceedings. Hammill, I felt, was a little off and a little sloppy in the guitar/piano department and Gordon’s violin, while sweet and soaring in places, began to grate after a while. Again, this is no slur on their performance, I just think a whole evening of this configuration is difficult listening, which can be a good thing sometimes. I guess my tube troubles had clouded my musical brain, which upset me.
After the show (yes, Hammill performed that song too), we headed out into the night and The Missus want to eat. Again, my Spidey-senses were tingling and, much to her annoyance, I insisted we went straight home. Good job too, because the tube was still up shit creek without a paddle. First there was the “Passenger Action” on the Jubilee Line (yes, those are two words you don’t want to hear on the Tube), so we hopped off and diverted to Bank station. There we waited ages for a train to Leytonstone, then had to wait there for a connecting train heading to Epping, which was another 20 minute wait. By the time we got home, it was 11.50pm and we’d left the concert at 9.30! The Missus remarked that in total, I had been travelling nearly four and a half hours on the Tube that evening for a round trip of less than two…
You’ve got to laugh, ain’t ya?
CONCERT REVIEW: Peter Hammill, Queen Elizabeth Hall, London 04/10/06