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When it comes to making music, I’m always on the lookout for new gear that will make my life easier. When I saw the Alesis MultiMix16 I thought I’d found something special. It’s a 16 input mixer, with an inbuilt FX processor and the ability to connect to your PC via Firewire and act as a 16-input audio card. Looking at the spec, I thought I would be able to replace four pieces of equipment (my current mixer/external effects/compressor/sound interface) with one.

However, my experience of the Alesis equipment left a lot to be desired. Opening the box, I was very impressed with the general construction of the mixer. It has a metal chassis and good solid knobs, though the channel sliders were a bit plasticky. Operation seemed simple, install the drivers, connect the mixer and then connect your music equipment to the mixer. Unfortunately, my PC didn’t want to recognise the equipment on the first pass. So I visited the Alesis website and downloaded/installed the latest drivers, as you do.

On the second attempt, with the new drivers, my PC recognised the mixer and I thought I was in business. Unforunately, I had major issues when getting it to work with recording software SONAR with a number of the inputs failing to be recognised in the standard ASIO mode. Switching to WDM mode rendered the interface useless with it juddering and stuttering and crapping out at every opportunity.

But this time I was getting a little frustrated and this frustration was compounded by the fact that the signal output from the PC was significantly louder than the input from my equipment. Even though I tried to get a clean, loud signal, my eardrums were nearly burst by the output from the PC. No matter what I did, I could not get a decent balance between the input and output signals.

I tried using the mixer with the supplied Cubase software, but I am not a big fan of that application for audio recording. Anyway, the mixer worked better with Cubase and to me it seemed as if the mixer had been designed with this audio software in mind and that there was no way I was going to get any satisifaction with SONAR, my software of choice.

This was not good. It suddenly got a lot worse when I selected a stereo pan delay on my FX processor. This makes the guitar signal bounce from ear to ear, but in this case I noticed that the signal seemed really flat. At first I thought that my ears were blocked and then it dawned on me that the output from the headphone socket was coming back in mono, yet it was a stereo signal when played back a recording from the PC. What this means is that you could play a lovely stereo piano sample and live it would sound mono, yet when you played back the recording it would be stereo as intended. It was at that moment that I realised I needed to get a refund immediately.

I double-checked with The Missus that my ears weren’t on the blink and she agreed that there was something fundamentally flawed with this mixer. We immediately packaged the item up and got it ready for return. On paper, this seems like an ideal solution for anyone with a small studio in need of major space saving, but it has to be the singularly worst piece of audio equipment I’ve ever used and it’s a crying shame because if the MultiMix16 had worked as intended it would be a first-class piece of kit. My recommendation to anyone thinking of buying this item is not to until Alesis fix all the problems.

RRP: £385
Website: www.alesis.com

Panto season

Seeing as pantomime season is well and truly upon us, let’s get into the spirit of things:

Taken from: http://www.richardpryor.com/
All together now:
“Oh yes you are!”

Pushing the envelope

My life is pretty mundane. However, this week the saga of the envelopes has been thoroughly gripping. After mistakenly receiving an office whiteboard, my envelopes duly arrived yesterday. It was a box of H5 sized envelopes. Great, I think. I open the box, take out a new envelope and try it for size. Yes, yes, yes. The folders fit nicely inside the envelope. Well done, Darren, for making another excellent choice.
At about 18.30 (or half past six) I got a phonecall. It went something like this:
John the Delivery Man: Hello. It’s John the delivery man.
Me: Hello
JTDM: I made a mistake with your order.
Me: I know. I received a whiteboard.
JTDM: Did you?
Me: Yes. The other day. You delivered a whiteboard instead of some envelopes. But the people at the office depot said I could keep the whiteboard for my troubles.
JTDM: Oh. Anyway, those envelopes for you. They are the wrong ones. Could you check the label. They are addressed for Something Something Lane.
Me: OK. I’ll check

I run off downstairs to the cupboard where I keep my stationary in the vast Complex Lock HQ and check the address. Indeed it is address to Something Something Lane rather than Darren Lock Mega Industries Incorporated.
Me: Yes. The address is wrong. I opened the box but didn’t use any envelopes. I’ll seal it up again.
JTDM: OK. I’ll be over tomorrow to collect them and swap them with your box.

So I am a little put out, but it’s not the end of the world. So today, after coming back from lunchtime walk with Alex the Wonderdog and the Missus, I see a familiar white van zooming off into the distance. Bugger, I think. I’ve missed the delivery driver, but when I get to the doorstep I see a box of envelopes.
Further investigation reveals that these are my envelopes. Same size, same quantity, the only difference is that the wrong envelopes are white and the right envelopes are buff. (Are you following this?) So anyway, now I have 100 fricking H5 sized envelopes when I only wanted a dozen or so in the first place and a whiteboard that I didn’t need at all. Just think, at the beginning of the week I had a deficit of H5 envelopes and whiteboards and now I have a surplus.
Last night: The Missus went out for some Xmas boozefest. Despite my warnings, she fell asleep on the train and woke up at Epping, leaving myself and Alex the Wonderdog shivering outside Debden station for half an hour. Brrr…
Walked the old lush home and put her to bed, then the evening was topped off by me emptying the sick bucket. Oh well, she’s been there for me during my glory years.

So I order some envelopes from my usual office supply vendor. Imagine my surprise when a box of padded envelopes do not arrive, but a whiteboard for office presentations turns up instead. So I duly inform them of the error and they tell me I can keep the whiteboard (whoo-hooo!) and a new box of envelopes will be dispatched. Now I have no need for a whiteboard, I scribble all my insane plans for world domination on a standard post-it note usually, so I am wondering what I can do with this large item. Anyone want a free whiteboard? I’m hoping that my faithful office supply company messes up and mistakenly delivers an Xbox 360 instead…but somehow I don’t think that’s going to happen, do you?
Then I decide that I need to restock on some guitar supplies. I’ve just received my $45 from CDBABY for all the songs I’ve sold electronically and I’m feeling kinda flush. So I order some bass strings, some guitar strings, some polish for my new guitar, boring guitar stuff. I hit the payment button and the website bums out. I try two more times and nothing – no payment processing. Then I receive an email today telling me that it was my fault and that my credit card details were wrong – no, no, no…the error message said something about “failure to connect to the database” not “Darren bleeped up”. I replied I told them about their glitch. Then this afternoon I had some sales spod from that shop trying to contact me on the phone. The hard sell, eh?
Internet shopping isn’t supposed to be like this, is it?
In the post: Christmas cards. Not really for me, but I married the popular one, so I get to share the cards. Whoopsie-fricking-doodle.
Worked on “No Concessions” (working title) last night and used a load of EQ on the drum pattern to turn it into a bass drum only track in order to let the psuedo-acoustic guitars breathe. It’ll do. Textures II is now in the region of 17 minutes long with a further possible seven minutes committed to disk in various formats. Not really sure if this is working out too well. Hmmmm…I think that I am thinking to much and not doing nearly enough. C’mon where’s that gut instinct you bleat on about, you imbecile.
Today, had an unpleasant accident. Not revealing further details because:
1) It was unpleasant
2) It was an accident
Just making a note of it here for future reference, so I can say: “It was on 7 December 2005 that I had that unpleasant accident”.

Forgot the music

Stupid boy! I forgot to include the demo I had recorded last night.


This marks the introduciton of the Godin XTSA guitar into my permanent setup. It is my first “solo” recorded with that guitar. Well I like it and I don’t care if no-one else does. 🙂

No concessions

I hate those days when you wake with a headache and it stays with you until you go to bed. That was yesterday and no matter how many pills I took, the headache lingered. I spent some time getting my “Dead Rock Star” campaign together and going through the Writers’ and Artists’ Yearbook finding publishers and agents. There aren’t that many publishers accepting unsolicited manuscripts, so I am approaching more agents. Of course, I could send out introductory letters trying to drum up some interest, but the way things are reading, getting an agent is the way in. So I have prepared seven folders to go out. Each folder is tailor-made for each agent/publisher with an introductory letter, synopsis, brief biog and the various amount of pages requested by each approachee. Some want the first three chapters, some want four, some want 30 pages, some want 50 pages, etc. So each folder is individual and personalised.
Of course, I am a dummy and I forgot to order any envelopes the other day and so I have these yellow folders cluttering up my room. Another delay in the campaign. Ho hum. I’ve resigned myself to the fact that I am more likely to pass a solid gold bicycle from my bottom than get this book published, but you have to try. And believe me, I am very trying.
Yesterday evening, did some recording with the new guitar. The piece isn’t finished yet and is more just a way of me getting used to the new instrument and ease myself back into the creative process of soloing. When I am returning to recording after a long period, I often just put down a simple chord sequence and do my best to solo/improvise over the top of it. For me, this is a way of loosening myself up and it helps me re-learn my guitar neck. Sometimes a good performances presents itseelf like it did last night. On the third pass, I came up with this very workable solo. However, for the piece to now work, I need to re-record the bass and possible the rhythm guitars to fit with the new solo. This is how I work…a series of happy accidents…broad strokes…refinements…smudges and smears…blowing the dust from the canvas…a final touch and…viola…there is music!
In the post: nothing. I think the postman is ignoring me. Mind you, I think my new glasses have impressed him. He even made eye contact with me the other day and did the “Alright?” nod of the head that men that don’t know each other too well do to each other to acknowledge the other’s presence.
Talking of the new glasses, I am worrying that they are actually making my eyesight worse. When I don’t wear them, things look even more blurry than they did before. On the good side, my permanently twitching eye seems to have cleared up completely. I think it must have been eye strain that was causing that.


As a record buyer it is very easy to succumb to “remaster fatigue”. I don’t know how many times, like a slavish dog, I’ve dribbled to buy the latest edition of my favourite record. In this case, there was very little stopping me buying this album. The reason was that this remaster featured two discs: one a standard remastered CD and a second DVD-Audio version of the classic album remixed in 5.1 surround sound.
Queen was the first band I ever got into. I think it was because throughout my childhood my breakfast times were marked by listening to Radio 1 and it seemed like every morning I heard “Seven Seas of Rhye”, “Killer Queen”, “Bohemian Rhapsody”, “Don’t Stop Me Now”, “Bicycle Race”, etc. And so I was almost preprogrammed to like the band. Probably the greatest rock compilation “Queen – Greatest Hits” is technically my first album (if you discount John Williams’ score to “Close Encounters/Star Wars/ET” that I purchased on the Music for Pleasure label or the “Russ Abbott Madhouse” cassette that my nan bought me for Xmas). When I was dying of pneumonia at 13 years old (it was Christmas 1984 – I remember it well as the news was full of Rick Allen losing an arm and a few years later I bought the abysmal Def Leppard album “Hysteria” out of misplaced solidarity), I had two albums with me to get me through the experience of having my lungs drained and being put on the cancer ward to watch geriatric men die in their sleep. The two records were “Queen – Greatest Hits” and “The Works”, which I played in rotation on my old mono tape recorder. It wasn’t until the following Christmas that I received “A Night at the Opera” and “A Day at the Races” as my Xmas present. I must have worn those cassettes out. Anyway, I digress…
Now I am not the biggest fan of surround sound albums. I think that rock music is probably best heard in stereo and many surround sound mixes that I’ve heard have been very busy, concentrating on guitars or sound FX whizzing past your ears and generally being as distracting as an errant wasp trying to land in your pint of cider. Not so with this album. A Night at the Opera is probably the pinnacle of Queen’s studio experiments and the producers of this DVD-A have done a very tasteful job of using the 5.1 speakers. The wall of overdubbed vocals that are synonymous with Queen are put behind you and allow the listener to concentrate on the instruments. For me, this worked really well as it was like listening to a new album.
OK – sometimes guitars do fly all over the place, but if you are familiar with the record, tracks like “Death on Two Legs”, “The Prophet Song” and “Good Company” lend themselves to audio trickery greatly. The DVD itself doesn’t just rely on clever audio, as each song is accompanied by a visual presentation made up of band performances, photos taken from the time and old black and white Pathe footage. It works really well and it is like watching a video album, even though it has been constructed around the music at a later date. I greatly enjoyed the visuals and allowed for repeated viewings/listenings.
The DVD-Audio disc also features interviews with the band about the making of the album. It’s a bit like the extras on a movie DVD and the band provide a commentary to each track. Again, this is extra value added to an old album and you learn a lot about the record too.
The packaging has been expanded from the original album and my only complaint is the awful plastic slipcase that surrounds the digipak. It fits so tightly that it can be difficult to slide on or off (insert suitable double entendre here) and if you have no fingernails like me, it can be a frustrating time just getting the set out of its packaging.
For the £10.99 I paid for this, I think for once, it was money well spent and I recommend it to any Queen fan wishing to revisit the past – it’ll also make a nice stocking filler for the Queen fan in your life.

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