When it comes to making music, I’m always on the lookout for new gear that will make my life easier. When I saw the Alesis MultiMix16 I thought I’d found something special. It’s a 16 input mixer, with an inbuilt FX processor and the ability to connect to your PC via Firewire and act as a 16-input audio card. Looking at the spec, I thought I would be able to replace four pieces of equipment (my current mixer/external effects/compressor/sound interface) with one.

However, my experience of the Alesis equipment left a lot to be desired. Opening the box, I was very impressed with the general construction of the mixer. It has a metal chassis and good solid knobs, though the channel sliders were a bit plasticky. Operation seemed simple, install the drivers, connect the mixer and then connect your music equipment to the mixer. Unfortunately, my PC didn’t want to recognise the equipment on the first pass. So I visited the Alesis website and downloaded/installed the latest drivers, as you do.

On the second attempt, with the new drivers, my PC recognised the mixer and I thought I was in business. Unforunately, I had major issues when getting it to work with recording software SONAR with a number of the inputs failing to be recognised in the standard ASIO mode. Switching to WDM mode rendered the interface useless with it juddering and stuttering and crapping out at every opportunity.

But this time I was getting a little frustrated and this frustration was compounded by the fact that the signal output from the PC was significantly louder than the input from my equipment. Even though I tried to get a clean, loud signal, my eardrums were nearly burst by the output from the PC. No matter what I did, I could not get a decent balance between the input and output signals.

I tried using the mixer with the supplied Cubase software, but I am not a big fan of that application for audio recording. Anyway, the mixer worked better with Cubase and to me it seemed as if the mixer had been designed with this audio software in mind and that there was no way I was going to get any satisifaction with SONAR, my software of choice.

This was not good. It suddenly got a lot worse when I selected a stereo pan delay on my FX processor. This makes the guitar signal bounce from ear to ear, but in this case I noticed that the signal seemed really flat. At first I thought that my ears were blocked and then it dawned on me that the output from the headphone socket was coming back in mono, yet it was a stereo signal when played back a recording from the PC. What this means is that you could play a lovely stereo piano sample and live it would sound mono, yet when you played back the recording it would be stereo as intended. It was at that moment that I realised I needed to get a refund immediately.

I double-checked with The Missus that my ears weren’t on the blink and she agreed that there was something fundamentally flawed with this mixer. We immediately packaged the item up and got it ready for return. On paper, this seems like an ideal solution for anyone with a small studio in need of major space saving, but it has to be the singularly worst piece of audio equipment I’ve ever used and it’s a crying shame because if the MultiMix16 had worked as intended it would be a first-class piece of kit. My recommendation to anyone thinking of buying this item is not to until Alesis fix all the problems.

RRP: £385
Website: www.alesis.com

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